"[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. Getty Images. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. When I marry, I shall have a large family. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. Her RADA-trained voice was posh, of course, but not supercilious. "Because the term 'beauty marks' has an aesthetic connotation, we generally tend to call moles on the face beauty marks, while the same exact mole elsewhere on the body is just called a mole," Schultz clarified. She followed it with Irish for Luck (1936) and The Street Singer (1937). InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. Millions of high-quality images, video, and music options are waiting for you. Cindy Crawford and other big names with facial moles. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. Please refer to the appropriate style manual or other sources if you have any questions. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. I think they're the cutest thing. They did. Collect, curate and comment on your files. 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Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Margaret Lockwood John Stone John Bryans See production, box office & company info Add to Watchlist 5 User reviews Episodes 39 Top-rated Fri, Jul 19, 1974 S3.E9 Twice the Legal Limit Justice Bebbington, who has given Harriet trouble with his mean spirited sentencing, asks her to defend him in a case of drunken driving. 2023 BygonelyPrivacy policyTerms of ServiceContact us. Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. Hes a boy with so many emotions. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. It was one of a series of films made by Gaumont aimed at the US market. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Italia Conti Drama School. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Used Margie Day briefly as her stage name at the very beginning of her stage career. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Before long, mouches made their way into politics. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). ]died July 15, 1990, London, Eng. Long live the mouches! Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. The American supermodel isn't the only one with an iconic beauty mark. Each time I play him, I discover hidden things I never thought of before, she enthused. [citation needed], She was the subject on an episode of This Is Your Life in December 1963. Still, our work isn't quite done yet. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. Simply put, if a person is born with a mole, it is then also considered a birthmark. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. If so, please share it with your friends and family to help spread the word. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. Images of the British actress, Margaret Lockwood. alcohol. The film was a critical and box-office disappointment. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). Imagine the awkwardness of having a real beauty mark during this period in history? Articles from Britannica Encyclopedias for elementary and high school students. I try to give him something of an unearthly quality.. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. That was natural. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. I like having familiar faces that recognize me. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Overview Collection Information. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. Production Company: Gainsborough Pictures. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. [17][18], Lockwood returned to Britain in June 1939. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. clerk, was educated in London and studied to be an actress at the Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . The film was the most popular movie at the British box office in 1946. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. As an only child herself, she had once said: I love children. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. Search instead in. Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Her body was cremated at Putney Vale Crematorium. In spite of this, she was warmly remembered by the public. Early Years [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queueing outside cinemas all over Britain. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. As such, the shape, color, and even texture can vary. Privacy Policy. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). ]died July 15, 1990, London, Eng. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. Her body was cremated at Putney Vale Crematorium. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. During her suspension she went on a publicity tour for Rank. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. All rights reserved. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. Please like & follow for more interesting content. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. She was supposed to make cinema adaptations of Rob Roy and The Blue Lagoon, but both projects were shelved due to the outbreak of World War II. [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. However, her best-remembered performances came in two classic Gainsborough period dramas. This is partially dictated by Hollywood's elite. She was born on September 15, 1916. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. The Leons separated soon after her birth and were divorced in 1950. Updates? Lockwood was well established as a middle-tier name. The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. After becoming a dance pupil at the Italia Conti school. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. The Truth About Beauty Marks. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. Lockwood's role as the feisty Harriet Peterson won her Best Actress Awards from the TV Times (1971) and The Sun (1973). Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. This started filming in November 1939. This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. She lived her final years in seclusion in Kingston upon Thames, London. In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. Margaret Lockwood. Below are some glamorous photos of young Margaret Lockwood from her early life and career.
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